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U.S. Buffalo Nickel and the First Nickel Coin

Buffalo Nickel

Buffalo Nickel

In 1911 sculptor James Earl Fraser began designing the "Buffalo" nickel. Fraser said the portrait on the "head's" side was a composite of three American Indians--Iron Tail, Big Tree and Two Moons.

Fraser had the opportunity to study and photograph them when they stopped off in New York on their way to Washington to visit President Theodore Roosevelt. By borrowing features from each individual, Fraser was able to sketch the "ideal" portrait for the nickel.

Buffalo Nickel

The model for the "tail's" side of the coin was none other than Black Diamond, the most contrary animal in New York's Bronx Zoo. He was born of stock donated by the Barnum and Bailey circus. In his prime, his coat was unusually dark, and he weighed more than 1500 pounds.

Fraser stood for hours, trying to catch his form and mood in clay. But Black Diamond stubbornly refused to show his side view, and faced the artist most of the time. Only by bribing a zoo attendant to distract the animal was Fraser finally able to capture the likeness he wanted.

President William Howard Taft approved the art work, and the first "Buffalo" nickels were produced in February of 1913. Two Moons died in 1917, and Iron Tail and Big Tree in the 1920s. In the 1960s, a second Big Tree appeared at coin shows and claimed to be the Native American on the nickel. Although he claimed to have celebrated his 100th birthday in 1962, later records indicated he was actually only 87.

Fraser's Life

He was born in Minnesota in 1876, but grew up on a ranch in South Dakota. His first art instructor was a town whittler. Later, Fraser studied art in Chicago and Paris and established a studio in Westport, Connecticut.

He was only 17 when he completed the first modeling of "The End of the Trail." The statue portrays a weary Native American riding an equally forlorn horse. At an exhibition in Paris in 1898, "The End of the Trail" won a $1,000 cash prize. Despite the pressure of other projects, Fraser worked on "The End of the Trail" off and on throughout his career. Today a large version of the statue is in the Cowboy Hall of Fame and Western History Center in Oklahoma City, which also has Fraser's sketches for the "tail's" side of the Buffalo nickel.

When the Buffalo nickel finally made its debut in 1913, a coin collector's magazine hailed it as a true work of art, powerfully modelled. Many critics agreed, and in 1951 the American Academy of Arts and Letters presented Fraser with a gold medal honoring a lifetime of distinguished achievement. On October 11, 1953, James Earle Fraser died.

"Nickels"

Did you know that our first 5-cent coin was not a nickel and our first "nickel" was not a 5-cent coin?

The coin we now call the "nickel" originated as a silver half dime in 1792, the beginning of its 79 year life as a silver 5-cent coin.

Our first nickel coins were not 5-cent pieces at all. Nickel first appeared in United States coinage with the introduction of the small size 1-cent pieces in 1856. Its composition was mostly copper and less than 1/6 nickel. The nickel caused the coin to be much lighter in color than the older copper coins. For that reason, it was sometimes called a white cent. Another common name was a "nick" -- short for nickel -- referring to its nickel content. This composition was continued in the cent into 1864.

The first "nickel" 5-cent piece to be struck was the Shield Type starting in 1866. The composition of the coin was three-quarters copper and one quarter nickel, the same as today's nickels. That means the metal that gives the coin its name is only 25% of its content! The Shield type was replaced by the Liberty Head or "V" Nickel in 1883 and the Indian Head, more commonly called the "Buffalo" Nickel in 1913. Our current "Nickel," was introduced in 1938, the result of a public competition among some 390 artists.

The winning designer was Felix Schlag with his designs of Thomas Jefferson on the obverse or front of the coin and a portrait of Thomas Jefferson's home, Monticello, on the reverse or back of the coin.

During WWII, for a four-year period beginning in 1942, when nickel was a critical war material, it was replaced with silver. The five-cent piece was reconfigured to look something like the old alloy. But it really contained 56-percent copper, 35-percent silver and 9-percent manganese These "silver" nickels can be distinguished by a large mintmark on the reverse, above Monticello's dome.

Curiously, our neighbors in Canada do have experience with pure-nickel nickels (and pure-nickel dimes, quarters and half dollars!). Bringing a magnet near a pure-nickel Canadian coin is fun: the coin will stick to the magnet, whereas our five-cent coin doesn't have enough nickel to notice a magnet at all.

Joseph Wharton - the "nickel man"

He's best remembered as the founder of the Wharton School of Business at the University of Pennsylvania. But he also gave the nation a coin that's still going strong in its original metal alloy, more than 130 years after the first examples were released.

In the 1870s the chief coiner at the Philadelphia Mint referred to Joseph Wharton as the best "nickel man" around.

The owner of the Gap Nickel Mine in Lancaster County, Pennsylvania, Wharton was the country's leading advocate of nickel coinage. Oddly enough, the first coin to be called a "nickel" was really a "penny," composed of copper and nickel. It wasn't until 1866 that the first nickel five-cent pieces were made.

Joseph Wharton had lobbied long and hard for the new coin. Congress decided to go along with his proposal because nickels could be used to redeem the tattered five-cent notes that were issued during the Civil War. Like today's version, the first nickel coin contained only 25-percent nickel; the rest was copper. Instead of Thomas Jefferson, the "heads" side pictured an American shield, and the "tails" side had stars and rays around a large number "5."

Critics dubbed it "the ugliest of all known coins," and described the shield as "a tombstone surmounted by a cross overhung by weeping willows." Many people thought the stars and rays represented the "stars and bars" of the Confederate flag.

Still, the nickel was an instant success, and in 1867 a record 30 million of them were made. Since then, the nickel's design has been changed several times-but beneath its surface, it's the same as ever . . . a tribute to Joseph Wharton's farsightedness.

The 1913 Nickel

In 1913, the United States government launched a bold, new nickel.

Sculptor James Earle Fraser said his goal was to design a coin that would be "truly American." In his search for symbols, he found none more distinctive than the American bison. Choosing to show a Native American on the other side of the coin, Fraser said the new nickel had "perfect unity of theme."

Production of "Buffalo" or "Indian Head" nickels began in February 1913. A single coining press at the Philadelphia Mint started turning out the nickels at the rate of 120 a minute. Treasury Secretary Frank MacVeagh promised the nickel would be "immensely interesting and beautiful." But after the first examples were placed in circulation, the New York Times condemned them as a "travesty on artistic effect."

Other critics said that the coin's "rough" surfaces would encourage counterfeiters. But the most serious complaint about the nickel had to do with its inability to withstand heavy use. One coin collectors' magazine predicted that the slightest wear would obliterate the date and the inscription Five Cents "beyond understanding."

Soon after production of Buffalo nickels began, the design was modified. The early coins showed the bison standing on a grassy mound. For the new version, engraver Charles Barber cut away the base of the mound to make a straight line. He also lowered the words Five Cents so the rim would protect them from wear.

Collectors noticed right away that the inscription was clearer. But the changes did not help the date on the other side of the coin. Erosion of the numerals continued to plague Buffalo nickels. Government officials scrapped the design altogether in 1938, after it reached the minimum statutory life of 25 years.

Millions of them once thrived across the country, but in 1938 the Buffalo nickel became an endangered species.

At the ripe old age of 25, the Buffalo nickel had reached the minimum statutory life of a coin design. That meant the Treasury Department could switch to a new design without a special act of Congress. And there were some pretty good reasons to take advantage of the opportunity.

From the beginning, there had been complaints about using a Native American and a bison on the coin. One collectors' magazine questioned whether either was a good symbol of liberty, considering that many Indians had been forced onto reservations, and the American bison had been slaughtered to the brink of extinction.

The Mint had its own reasons for wanting a new design. After decades of tinkering, it was still having a hard time producing nickels with all of the detail intended by the artist. Even when they were new, some Buffalo nickels looked as if they'd already seen years of use. When the first Buffalo nickels were released in 1913, experts warned that the date was in such obscure figures the slightest wear would obliterate it "beyond understanding."

In 1938, the Treasury Department staged a competition for a new nickel picturing Thomas Jefferson. According to a news item of the day, the Bureau of Indian Affairs didn't receive a single complaint from Native Americans about the design change. Collectors didn't seem to mind either. But production of Buffalo nickels continued until the first Jefferson nickels were struck in September. By then the Denver Mint had turned out more than 7 million buffalo nickels that were dated 1938. They were the last of the breed.

 

An Original "Nickel"

An Original Nickel

In recent years, numismatists have witnessed proposals for a host of unusual coinage alloys, each with a certain "signature" (as the United States Mint refers to a metal's various properties). Even bimetallic coins have come into common use in some countries, harkening back to the impressive dual-metal medallic pieces of the Roman Empire. Yet the element nickel, with its attractive color and high durability, remains a basic component of these numerous, new alloys.

When tracing the numismatic origins of the use of nickel, it is natural for students and collectors to recall Feuchtwanger tokens, Flying Eagle cents, copper-nickel 3-cent pieces and so forth. Probably few are aware that the earliest use of this important (and now almost ubiquitous) metal dates back millennia before its mid 19th-century usage in so-called "German silver."

Pictured is one of the first nickel-alloy coins, part of history's original "odd alloy" pieces. This particular specimen is a dichalkon (double unit) of King Agathokles, struck to the Attic weight standard as part of his unilingual series. The coin was issued in ancient Bactria by Greek successors to the eastern portions of Alexander the Great's empire. It is from a small group of issues minted, perhaps concurrently, by three rulers of a region located in what is now Afghanistan and Pakistan.

Almost nothing is known about the ancient Graeco-Bactrian kingdom and its Indo-Greek heritage. Coins are about our only source of information. We do not know why the nickel alloy was used, only that apparent co-rulers Euthydemos II (c. 190-185 B.C.), Agathokles (c. 190-180) and Pantaleon (c. 190-185) created this unique variation in their system of bronze coinage.

While Euthydemos employed types picturing Apollo (Greek god of the arts, archery and protector of the Muses) and a tripod, Agathokles and Pantaleon used a head of Dionysus (god of wine) and his symbolic servant, the panther, on their copper-nickel issues. Each kingdom also struck bronze pieces with the same designs (presumably in the same denominations); some of these can be distinguished by their larger size or different control marks.

The dichalkon issues of Agathokles probably are the most abundant Bactrian copper-nickel coinages. They display three known control marks and have nickel-copper contents ranging from 7.50-percent nickel/86.50-percent copper to 20.19-percent nickel/78.90-percent copper among specimens in the collection of the Bibliothèque Nationale in Paris, France (tested by J.-N. Barrandon and H. Nicolet-Pierre, Gazette Numismatique Suisse, August 1989).

The primary reference for these coins is Osmund Bopearachchi's catalog of the French national collection, Monnaies Grèco-Bactriennes et Indo-Grècques: Catalogue Raisonné (Paris: Bibliothèque Nationale, 1991; ANA Library Catalog No. BB97.B6m). The ANA Museum specimen is an example of Bopearachchi's Series 5C (Nos. 8 and 9), which includes eight known pieces.

Original "Nickel"

The obverse of these coins features a typical bust of Dionysus, with a wreath upon his head and a thyrsus (magic wand) on his shoulder. The reverse portrays the god's "familiar," a panther, with a bell around its neck and left forefoot raised, walking to the right toward a vine; the inscription translates "of King Agathokles."

With all our so-called "modern" experimentation, it is entertaining to ponder advances made along the same lines by bright people centuries ago. The next time you see mottled spotting on a Sacagawea dollar, just think about how difficult it truly is to "get it right" when working with coinage alloys.

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